Since 2017

Building Financial Confidence Through Creative Problem-Solving

We started with a simple observation: most financial education treats creativity and numbers as opposing forces. That never made sense to us. Business owners need both.

Eight Years of Refining What Actually Works

We've learned more from our missteps than our successes. Each phase taught us something that changed how we approach financial education.

01
2017 - 2018

The Beginning: Recognizing the Gap

Started with a handful of workshops in Newcastle. We noticed creative business owners struggled with traditional finance courses that felt disconnected from their reality. Most dropped out before completion. That told us something needed to change.

02
2019 - 2020

Rethinking the Approach

Spent two years developing a methodology that connected financial concepts to creative thinking. We tested different formats, gathered feedback, scrapped ideas that didn't work. The pandemic forced us online, which turned out to be unexpectedly useful for reaching more people.

03
2021 - 2022

Expanding Beyond Basics

Introduced advanced programs after participants kept asking for more. Started working with established businesses facing growth challenges. Learned that experience level matters less than willingness to examine assumptions about how money works in creative industries.

04
2023 - 2025

Where We Are Now

Supporting over 400 businesses across Australia. Still refining our programs based on participant feedback. Currently developing resources for late 2025 that address emerging challenges in digital business finance. We're not done learning.

Areas Where We've Developed Depth

Over the years, we've found certain areas where our approach seems to click with creative entrepreneurs. These aren't everything we do, but they're where participants tell us they've seen the most tangible shifts.

  • Cash Flow for Variable Income

    When income isn't predictable, standard budgeting advice falls apart. We work with the reality of project-based work and seasonal fluctuations.

  • Pricing Creative Services

    Most creative professionals undervalue their work. We look at pricing as a strategic tool rather than just covering costs plus margin.

  • Growth Planning Without Losing Soul

    Scaling a creative business often means tension between artistic vision and commercial reality. There are ways to grow that don't require abandoning what makes your work distinctive.

  • Financial Literacy for Non-Finance Minds

    Numbers don't have to be intimidating. We translate financial concepts into frameworks that make sense for visual and creative thinkers.

What We're Thinking About in 2025

Some observations from working with Australian creative businesses this year. These reflect actual patterns we're seeing, not theoretical predictions.

Market Trends

The Subscription Model Isn't Always the Answer

We're seeing creative businesses move away from recurring revenue models that don't fit their work. Sometimes project-based pricing makes more sense, even if it feels less secure.

March 2025
Pricing Strategy

Why Some Businesses Thrive With Higher Prices

Counter to what many expect, raising prices often improves business health beyond just revenue. It changes client relationships, project scope conversations, and how much care you can put into work.

January 2025
Business Operations

Rethinking Business Structure for Creative Work

Australian regulations around business structures have implications for creative entrepreneurs. We're helping people understand when sole trader status makes sense versus other options, based on actual circumstances rather than assumptions.

February 2025

The Person Behind the Framework

Clifton Radford, lead instructor and program director

Clifton Radford

Lead Instructor & Program Director

Spent fifteen years managing finance for design agencies before realizing the disconnect between standard accounting practices and creative business needs. That frustration led to nerinlithalevpahyros. My background combines corporate finance experience with firsthand understanding of creative industry challenges.

I'm not interested in generic business advice. What works for a retail shop often fails for a creative consultancy. Our programs reflect what actually helps when your work involves custom projects, subjective value, and clients who often don't understand what they're buying.

  • Former CFO for two Sydney design studios
  • Developed cash flow models specifically for project-based work
  • Regular contributor to Creative Business Australia
  • Teaching programs starting autumn 2026 now open for registration
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